Este filme trata de condensar las experiencias de Brasil desde una doble perspectiva: la creación de la imaginación (religión y música) y la mezcla de la identidades étnicas originales.
An essay on the imagination, cultural identity and prejudice against black people, focusing on the work of Gabriel Joaquim dos Santos, salt mine worker and semi-illiterate black artist who built, in São Pedro d'Aldeia, Rio de Janeiro, Brazil, the Casa da Flor (House of the Flower), made of objects found in the trash.