Susan Felleman, Estados Unidos de América
Art History Professor, The Department of Art University of South Carolina. Susan Felleman is the author of Botticelli in Hollywood: The Films of Albert Lewin (Twayne 1997), Art in the Cinematic Imagination (Texas 2006), and Real Objects in Unreal Situations: Modern Art in Fiction Films (forthcoming from Intellect Press), as well as numerous other publications on art and film. Last year she authored chapters in three edited volumes: “A Little Infidelity: La femme infidéle becomes Unfaithful, a speculative essay on cinephilia, memory and intextuality, in Cinephilia in the Age of Digital Reproduction: Film, Pleasure, and Digital Culture, Volume II, edited by Scott Balcerzak and Jason Sperb (Wallflower Press, 2012); “Two Way Mirror: Francis Bacon and the Deformation of Film,” in Film, Art, New Media: Museum without Walls?, edited by Angela Dalle Vacche (Palgrave-Macmillan, 2012); and “Remembering, Repeating, and Working Through: Three Screen Memories by Wago Kreider,” in Film Trilogies: New Critical Approaches, edited by Claire Perkins and Constantine Verevis (Palgrave-Macmillan, 2012). Her current projects include a book on sculpture and cinema with Steven Jacobs (University of Ghent) and an essay on art history in the films of David Lynch in connection with an upcoming exhibition at the Pennsylvania Academy of the Fine Arts. She is also co-investigator with Prof. Steven Jacobs on a University College Ghent grant project, Cinematic Visualizations of Visual Arts. Felleman is a founding member and current co-chair of the Society for Cinema and Media Studies (SCMS) Film and Art History Scholarly Interest Group, CinemArts.
Publicaciones del autor